Chad Harbach returns to fictitious Westish College, first
visited in his debut novel, The Art of Fielding. While the two books contain
overlapping characters, the focus of The Brightness is not on the male relationships
we loved in The Art of Fielding, but on women.
While the writing was splendid, only the strength of the
words and my memory of how loving the first novel kept me reading. Centered on
three primary women, Pella, Irma and Judy were so complex and well-drawn that they
each deserved our full attention. But we are introduced to these women as a unit,
and I just didn’t buy it. They were too different for me to believe in their
authenticity, their great literary salon-type connection, and as it turns out,
neither did they. By the end of the book, the bosom buddies sabotage one
another, in ways that felt frankly, more male than female.
This novel nearly 700 pages, and maybe that’s why it lost
me. The author tries so hard to cover popular culture, feminist issues, academic,
sports, Bro culture and even an over-the-top wedding that I just felt we’d drifted
into fantasy land. Adding “cute” metafiction aspects (Using his own book as the
book of one of the main characters?) felt like the author was trying hard to
remind me that he’d done this before. It
actually made me go back and read Harbach’s biography to see if he’d actually inserted
himself in the book along with his bestseller.
In short, the writing kept me reading; the story left me
annoyed.
The Brightness will be released October 27,2026, by Little
Brown and Company. Thanks to the publisher and NetGalley for the advanced
review copy.