
Chad Harbach returns to fictitious Westish College, first visited in his debut novel, The Art of Fielding. While the two books contain overlapping characters, the focus of The Brightness is not on the male relationships we loved in The Art of Fielding, but on women.
While the writing was splendid, only the strength of the words and my memory of how loving the first novel kept me reading. Centered on three primary women, Pella, Irma and Judy were so complex and well-drawn that they each deserved our full attention. But we are introduced to these women as a unit, and I just didn’t buy it. They were too different for me to believe in their authenticity, their great literary salon-type connection, and as it turns out, neither did they. By the end of the book, the bosom buddies sabotage one another, in ways that felt frankly, more male than female.
This novel nearly 700 pages, and maybe that’s why it lost me. The author tries so hard to cover popular culture, feminist issues, academic, sports, Bro culture and even an over-the-top wedding that I just felt we’d drifted into fantasy land. Adding “cute” metafiction aspects (Using his own book as the book of one of the main characters?) felt like the author was trying hard to remind me that he’d done this before. It actually made me go back and read Harbach’s biography to see if he’d actually inserted himself in the book along with his bestseller.
In short, the writing kept me reading; the story left me annoyed.
The Brightness will be released October 27,2026, by Little Brown and Company. Thanks to the publisher and NetGalley for the advanced review copy.

Then we meet Satoshi, the younger owner of her favorite wine
bar. Satoshi is amazing, and he is astonished to realize he is in love with
Fiona. But he knows he has to be careful, and Fiona needs him to be her friend.

My favorite was Half of
What Atlee Rouse Knows About Horses, where Johnston creates not only a
beautifully sad story, but takes the reader along to the joy of wild horses,
and the way we all survive.

